Lady Gaga and director Bradley Cooper attend the UK
premiere of "A Star is Born" in London, Britain September 27, 2018.
REUTERS/Eddie Keogh
Stop 10 people walking down the street with headphones, and at least
one of them will be listening to the soundtrack to A Star Is Born. In
all likelihood, it will be Shallow, Lady Gaga and Bradley Cooper’s No 1
single. For me, the film brought back the thrill of being a music
journalist: the vim, sweat and chaos of being backstage; the
extraordinary capacity of live music to lift the self and spirit, build
moments of joy, communion and clarity. The simple act of feeling alive.
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it also speaks to thrill’s flipside, despair. The inevitable comedown,
the isolation and the untethered moments on the road when addiction can
trample over a psyche. “In all the good times, I find myself longing for
change,” they both sing in the refrain. “And in the bad times, I fear
myself.”
Jordan Strauss/Invision/AP
Bradley Cooper arrives at the Los Angeles premiere of "A Star Is Born"
on Monday, Sept. 24, 2018, at the Shrine Auditorium. (Photo by Jordan
Strauss/Invision/AP)
It is all very 2018. Much like the runaway (and inexplicable to me)
success of The Greatest Showman’s This Is Me, it is a song about
internal reflection and self-realisation. But unlike This Is Me, this is
not me-against-the-world empowerment. It is a song that not only speaks
for those to whom life has not always been fair or kind, but those who
may not be all that good inside either.
Two people come together
at a period of intense vulnerability and dive into a fated romance –
“we’re far from the shallow now”. One spirals into drug and alcohol
abuse, while the other clambers upwards to global fame and credibility.
Lady Gaga’s vocal is staggering: raw, guttural, powerful. The
male/female dialogue evokes Fleetwood Mac at their most pained. Sara, in
particular, comes to mind: “Drowning in the sea of love, where everyone
would love to drown.”
© Thomson Reuters
Cast member Lady Gaga arrives for the premiere of the movie “A Star Is
Born” in Los Angeles, California, U.S. September 24, 2018. REUTERS/Mario
Anzuoni
Water flows deep through the annals of pop history: whether it is being
battered by waves (“There’s always a siren singing you to shipwreck,”
Thom Yorke sings on Radiohead’s There There, a nod to Odysseus on his
ship trying to find his way home); cleansed (“Take me to the river …
cleanse my soul” – Al Green); or quenched (“I could drink a case of you,
and still I’ll be on my feet” – Joni Mitchell). Water is simultaneously
wild, untamed, dangerous, glorious and serene. Much, I suppose, like
love.
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